010 __ $a9786061604296
035 __ $a82.09/Z70
101 _0 $aeng
102 __ $aRO
200 _0 $aBritish literature in the twentieth century $bCarte tipărită $eThemes, paradigmes, authors, approaches
210 _# $aBucurești $cEditura Universităţii din Bucureşti $d2014
215 __ $a262p.
299 __ $aBritish literature in the twentieth century : Themes, paradigmes, authors, approaches
300 __ $aGlosar
330 __ $aContents 0.Foreword 1.Chronicles of War and Evil 1.1Introduction - From Theme to Module: an Overview 1.2War Poems and the High Mimetic, Low Mimetic and Ironic Moods/Modes: Rupert Brooke: "The Soldier"; Edward Thomas: "Tears", "Rain", "The Cherry Trees"; Siegfried Sassoon: "Glory of Women"; Isaac Rosenberg: "Break of Day in the Trenches" and "Louse Hunting"; Wilfred Owen: "Dulce et Decorum Est" 1.3Modernist Poetic Cryptograms 1.3.1.The First Cryptogram: W.B. Yeats "Leda and the Swan" 1.3.2Theoretical Excursus One: Impersonality as One Revolutionary Ingredient of High Modernist Art 1.3.3The Second Cryptogram: Yeats's "The Second Coming" 1.3.4.Theoretical Excursus Two: High Modernist Myth-Twisting Mechanisms 1.3.5.The Third Cryptogram: "Lapis Lazuli"; Poetry at the Peak of Evil in Times of Wa 1.3.6.The Fourth Cryptogram: T. S. Eliot: "Gerontion" - a War Veteran's Dramatic Monologue 1.3.7.The Fifth Cryptogram: "The Waste Land" as the Paradigmatic Twentieth Century Epic 1.4.Novels that Hyperbolize, Incorporate in Passing, or Transcend Evil in the Post-War World 1.4.1.The Dystopian Neo-Modernist Paradigm 1.4.2.The Remains of the Day: Postmodernism and Real politik 1.4.3.War in Virginia Woolf's High Modernist Novels 1.4.4.Theoretical Conclusions about the lr( hnlqurt of llluli Modernist Indirection and the Rationalistic Traditions th.il Mn-i in III** Radically Artistic Paradigm Configured .it the Hr«ulnnlng «>1 the Twentieth Century 2.The Imperial British Ethos and Its (Postcolonial) Contestation 2.1.Argument (Aims and Structure of the Module) 2.2.The Imperial British Ethos Literally Reflected in the Colonial Sociality: A Passage to India 2.3.Symbolic/Archetypal Underpinnings of the Universal Critique of Colonialism in Heart of Darkness 2.4.The Case of the Irish Postcolonial Discourse 3.British Tradition Revisited in Poetry, Postmodernist Drama and Fiction 3.1.Standards for Assessing the Relationship with Tradition in the Twentieth Century 3.2.From Domestic and Facetious Comedy to Black Humour in the Poetry of T.S. Eliot, W. H. Auden and Stevie Smith 1.3.Toying with the National Heritage in Postmodernist Drama and Fiction: Tom Stoppard: Rosencrantz and Guildenstern Are Dead, John Fowles: The French Lieutenant's Woman, Angela Carter: Nights at the Circus ».4. Excursus: Is Virginia Woolfs Orlando Part of the British Carnivalesque Relationship with Tradition? 4.Form» of Religious Dialogue in Twentieth Century English Literature 4.1.T. S. Eliot Murder in the Cathedral: Ritual, Political and Foundational Aspects of Martyrdom 4.2.Sacramental High Mimetic Poetry -Dylan Thomas's "In the Beginning" and Seamus Heaney's "Llghtenings", VIII 5.The Recognition of Twentieth Century Individual British Writers Abroad a At Home 5.1.Four Nobel Prize Winners' Acceptance Speeches 5.2.Poets Laureate and Oxford Professors of Poetry 5.3.Overview of the English Nobel Prize Winners 5.4.Royal Society of Literature Membership, Orders of Chivalry: Sir Tom Stoppard and His Theatrical Awards 5.5.Other Local Literary Prizes: the Man Booker Prize, Whitebread - Coitlt Book Award and the James Tait Black Memorial Award 5.6.The Cholmondeley Award and Other Memorial Prizes Glossary Bibliography
606 _0 $aLiteratură engleză
675 __ $a821.111.09
686 __ $a821
700 _0 $aZIRRA, IOANA
975 _0 $a821.111.09