The new family saga: Arundhati Roy's, Amy Tan's and Kate Atkinson's fiction
| Autor | ZAINEA, LAVINIA CRISTINA chat |
| Editura | Institutul European chat |
| Loc publicare | Iaşi |
| An | 2019 |
| Subiect | Literatură universală chat |
| Roman (literatură) chat | |
| ISBN | 9786062402655 |
| Note | Bibliogr. p.179-184 |
| Titlu | |
| Titlu | The new family saga: Arundhati Roy's, Amy Tan's and Kate Atkinson's fiction |
| Indici CZU | |
| Indice de bază CZU | 82.09 |
| Titlu / Menţiuni de responsabilitate | |
| Titlu | The new family saga: Arundhati Roy's, Amy Tan's and Kate Atkinson's fiction |
| Prima menţ. de resp. | Lavinia Cristina Zainea |
| Desemnarea gen. a materialului | Carte tipărită |
| Nume de persoană / resp. intelectuală primară | |
| Autor principal | ZAINEA, LAVINIA CRISTINA |
| ISBN | |
| Număr ISBN | 9786062402655 |
| Alt sistem de control al numerelor | |
| Cotă | 82.09/Z21 |
| Număr (indice) CZU | |
| Număr (indice) CZU | 82.09 |
| Alte clasificări | |
| Alte clasificări - Numărul clasei | 821 |
| Vedetă de subiect ca subiect | |
| Subiect | Literatură universală |
| Roman (literatură) | |
| Limba resursei | |
| Limba textului | eng |
| Ţara de publicare sau producţie | |
| Ţara de publicare | Romania |
| Publicare, distribuţie | |
| Loc publicare | Iaşi |
| Editura | Institutul European |
| Data publicării | 2019 |
| Descriere fizică | |
| Desemnarea specifica a mat. | 184 p. |
| Alte detalii fizice | tab. |
| Serii | |
| Titlul seriei | Academica. British Studies |
| Desemnarea volumului | 327 |
| Notă generală | |
| Textul notei | Bibliogr. p.179-184 |
| Notă de rezumat/abstract | |
| Abstract/Sumar | TABLE OF CONTENTS ACKNLOWDGEMENTS / 7 INTRODUCTION: THE FAMILY SAGA, A NEW TREND IN ONTEMPORARY LITERATURE / 7 1 1 Understanding the Saga / 7 1.2 Introducing a Structural and Thematic Analysis of New Family Sagas / 7 1.3 Methodology / 7 1.4 The Saga: Generational Connections and New Perspectives / 7 . 1.5 Going Forward: The Structure of the Thesis / 7 2. IDENTITY AND FAMILY / 7 2.1Trauma and Familial Isolation in the Three Authors’ Fiction / 7 2.2Connection and Disconnection in Roy’s The God of Small Things / 7 2.3What’s in a Name? / 7 2.4Mother-Daughter Relationships / 7 2.5Sibling Bonds and Rivalries / 7 2.6Conclusion / 7 3 THE IMPACT OF SPACE AND TIME ON THE NEW FAMILY SAGA/7 3.1Home Images in the New Family Saga / 7 3.2History and the Family Past in Atkinson’s Fiction / 7 3.3Trapped in the Middle: The Outsider’s Drama in Tan’s Fiction / 7 3.4The Deconstruction of Legends in Tan’s Fiction / 7 3.5Intertextuality and Escapism in Atkinson’s and Roy’s Novels / 7 3.6Perceptions of Space in Roy’s The God of Small Things / 7 3.7Conclusion 7 4. HOW TO TELL A STORY: NARRATIVE DOMINIONS AND DOMINOS / 7 4.1Reintegration through Retelling / 7 4.2Fragmentariness and Reader Involvement in Tan’s Fiction / 7 4.3The Architectural Artificiality of Roy’s The God of Small Things / 7 4.4The “Playful Narrator” in Atkinson’s Behind the Scenes at the Museum and Human Croquet i 7 4.5 Conclusion / 7 5.LANGUAGE AND COMMUNICATION / 7 5.1Implicatures and Face Saving in Atkinson’s Behind the Scenes at the Museum / 7 5.2Language: A Double Tool of Integration and Defamiliarization in Tan’s Fiction / 7 5.3Poliţe Mothers and Impolite Daughters / 7 5.4Twinspeak/7 5.5Conclusion/7 6.WIDE APPEAL AND TRANSLATABILITY / 7 6.1A Comparative Translation of Roy’s The God ofSmall Things / 7 6.2Translating Intertextuality and Familial Discomfort in Atkinson’s Behind the Scenes at the Museum / 7 6.3Embracing Universality: The Translation of Tan’s The Joy Luck Club / 7 6.4Conclusion / 7 7.FINAL CONCLUSION / 7 WORKS CITED / 7 |
82.09/Z21
ZAINEA, LAVINIA CRISTINA
The new family saga: Arundhati Roy's, Amy Tan's and Kate Atkinson's fiction / Lavinia Cristina Zainea.- Iaşi : Institutul European , 2019.
184 p. : tab..- (Academica. British Studies ; 327).
Bibliogr. p.179-184
TABLE OF CONTENTS ACKNLOWDGEMENTS / 7 INTRODUCTION: THE FAMILY SAGA, A NEW TREND IN ONTEMPORARY LITERATURE / 7 1 1 Understanding the Saga / 7 1.2 Introducing a Structural and Thematic Analysis of New Family Sagas / 7 1.3 Methodology / 7 1.4 The Saga: Generational Connections and New Perspectives / 7 . 1.5 Going Forward: The Structure of the Thesis / 7 2. IDENTITY AND FAMILY / 7 2.1Trauma and Familial Isolation in the Three Authors’ Fiction / 7 2.2Connection and Disconnection in Roy’s The God of Small Things / 7 2.3What’s in a Name? / 7 2.4Mother-Daughter Relationships / 7 2.5Sibling Bonds and Rivalries / 7 2.6Conclusion / 7 3 THE IMPACT OF SPACE AND TIME ON THE NEW FAMILY SAGA/7 3.1Home Images in the New Family Saga / 7 3.2History and the Family Past in Atkinson’s Fiction / 7 3.3Trapped in the Middle: The Outsider’s Drama in Tan’s Fiction / 7 3.4The Deconstruction of Legends in Tan’s Fiction / 7 3.5Intertextuality and Escapism in Atkinson’s and Roy’s Novels / 7 3.6Perceptions of Space in Roy’s The God of Small Things / 7 3.7Conclusion 7 4. HOW TO TELL A STORY: NARRATIVE DOMINIONS AND DOMINOS / 7 4.1Reintegration through Retelling / 7 4.2Fragmentariness and Reader Involvement in Tan’s Fiction / 7 4.3The Architectural Artificiality of Roy’s The God of Small Things / 7 4.4The “Playful Narrator” in Atkinson’s Behind the Scenes at the Museum and Human Croquet i 7 4.5 Conclusion / 7 5.LANGUAGE AND COMMUNICATION / 7 5.1Implicatures and Face Saving in Atkinson’s Behind the Scenes at the Museum / 7 5.2Language: A Double Tool of Integration and Defamiliarization in Tan’s Fiction / 7 5.3Poliţe Mothers and Impolite Daughters / 7 5.4Twinspeak/7 5.5Conclusion/7 6.WIDE APPEAL AND TRANSLATABILITY / 7 6.1A Comparative Translation of Roy’s The God ofSmall Things / 7 6.2Translating Intertextuality and Familial Discomfort in Atkinson’s Behind the Scenes at the Museum / 7 6.3Embracing Universality: The Translation of Tan’s The Joy Luck Club / 7 6.4Conclusion / 7 7.FINAL CONCLUSION / 7 WORKS CITED / 7.
ISBN 9786062402655
1. Literatură universală
2. Roman (literatură)
82.09
299
__
$aThe new family saga: Arundhati Roy's, Amy Tan's and Kate Atkinson's fiction
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330 __ $aTABLE OF CONTENTS ACKNLOWDGEMENTS / 7 INTRODUCTION: THE FAMILY SAGA, A NEW TREND IN ONTEMPORARY LITERATURE / 7 1 1 Understanding the Saga / 7 1.2 Introducing a Structural and Thematic Analysis of New Family Sagas / 7 1.3 Methodology / 7 1.4 The Saga: Generational Connections and New Perspectives / 7 . 1.5 Going Forward: The Structure of the Thesis / 7 2. IDENTITY AND FAMILY / 7 2.1Trauma and Familial Isolation in the Three Authors’ Fiction / 7 2.2Connection and Disconnection in Roy’s The God of Small Things / 7 2.3What’s in a Name? / 7 2.4Mother-Daughter Relationships / 7 2.5Sibling Bonds and Rivalries / 7 2.6Conclusion / 7 3 THE IMPACT OF SPACE AND TIME ON THE NEW FAMILY SAGA/7 3.1Home Images in the New Family Saga / 7 3.2History and the Family Past in Atkinson’s Fiction / 7 3.3Trapped in the Middle: The Outsider’s Drama in Tan’s Fiction / 7 3.4The Deconstruction of Legends in Tan’s Fiction / 7 3.5Intertextuality and Escapism in Atkinson’s and Roy’s Novels / 7 3.6Perceptions of Space in Roy’s The God of Small Things / 7 3.7Conclusion 7 4. HOW TO TELL A STORY: NARRATIVE DOMINIONS AND DOMINOS / 7 4.1Reintegration through Retelling / 7 4.2Fragmentariness and Reader Involvement in Tan’s Fiction / 7 4.3The Architectural Artificiality of Roy’s The God of Small Things / 7 4.4The “Playful Narrator” in Atkinson’s Behind the Scenes at the Museum and Human Croquet i 7 4.5 Conclusion / 7 5.LANGUAGE AND COMMUNICATION / 7 5.1Implicatures and Face Saving in Atkinson’s Behind the Scenes at the Museum / 7 5.2Language: A Double Tool of Integration and Defamiliarization in Tan’s Fiction / 7 5.3Poliţe Mothers and Impolite Daughters / 7 5.4Twinspeak/7 5.5Conclusion/7 6.WIDE APPEAL AND TRANSLATABILITY / 7 6.1A Comparative Translation of Roy’s The God ofSmall Things / 7 6.2Translating Intertextuality and Familial Discomfort in Atkinson’s Behind the Scenes at the Museum / 7 6.3Embracing Universality: The Translation of Tan’s The Joy Luck Club / 7 6.4Conclusion / 7 7.FINAL CONCLUSION / 7 WORKS CITED / 7
975 __ $a82.09
200 __ $aThe new family saga: Arundhati Roy's, Amy Tan's and Kate Atkinson's fiction $fLavinia Cristina Zainea $bCarte tipărită
700 __ $aZAINEA, LAVINIA CRISTINA
010 __ $a9786062402655
035 __ $a82.09/Z21
675 __ $a82.09
686 __ $a821
606 __ $aLiteratură universală
606 __ $aRoman (literatură)
101 __ $aeng
102 __ $aRomania
210 __ $aIaşi $cInstitutul European $d2019
215 __ $a184 p. $ctab.
225 __ $aAcademica. British Studies $v327
300 __ $aBibliogr. p.179-184
330 __ $aTABLE OF CONTENTS ACKNLOWDGEMENTS / 7 INTRODUCTION: THE FAMILY SAGA, A NEW TREND IN ONTEMPORARY LITERATURE / 7 1 1 Understanding the Saga / 7 1.2 Introducing a Structural and Thematic Analysis of New Family Sagas / 7 1.3 Methodology / 7 1.4 The Saga: Generational Connections and New Perspectives / 7 . 1.5 Going Forward: The Structure of the Thesis / 7 2. IDENTITY AND FAMILY / 7 2.1Trauma and Familial Isolation in the Three Authors’ Fiction / 7 2.2Connection and Disconnection in Roy’s The God of Small Things / 7 2.3What’s in a Name? / 7 2.4Mother-Daughter Relationships / 7 2.5Sibling Bonds and Rivalries / 7 2.6Conclusion / 7 3 THE IMPACT OF SPACE AND TIME ON THE NEW FAMILY SAGA/7 3.1Home Images in the New Family Saga / 7 3.2History and the Family Past in Atkinson’s Fiction / 7 3.3Trapped in the Middle: The Outsider’s Drama in Tan’s Fiction / 7 3.4The Deconstruction of Legends in Tan’s Fiction / 7 3.5Intertextuality and Escapism in Atkinson’s and Roy’s Novels / 7 3.6Perceptions of Space in Roy’s The God of Small Things / 7 3.7Conclusion 7 4. HOW TO TELL A STORY: NARRATIVE DOMINIONS AND DOMINOS / 7 4.1Reintegration through Retelling / 7 4.2Fragmentariness and Reader Involvement in Tan’s Fiction / 7 4.3The Architectural Artificiality of Roy’s The God of Small Things / 7 4.4The “Playful Narrator” in Atkinson’s Behind the Scenes at the Museum and Human Croquet i 7 4.5 Conclusion / 7 5.LANGUAGE AND COMMUNICATION / 7 5.1Implicatures and Face Saving in Atkinson’s Behind the Scenes at the Museum / 7 5.2Language: A Double Tool of Integration and Defamiliarization in Tan’s Fiction / 7 5.3Poliţe Mothers and Impolite Daughters / 7 5.4Twinspeak/7 5.5Conclusion/7 6.WIDE APPEAL AND TRANSLATABILITY / 7 6.1A Comparative Translation of Roy’s The God ofSmall Things / 7 6.2Translating Intertextuality and Familial Discomfort in Atkinson’s Behind the Scenes at the Museum / 7 6.3Embracing Universality: The Translation of Tan’s The Joy Luck Club / 7 6.4Conclusion / 7 7.FINAL CONCLUSION / 7 WORKS CITED / 7
| Barcode/Nr. Inventar | Număr/Ediție | Localizare | Regim resursa | Disponibil | Cota | |
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| 1. | 559372 / 559372 | CS | Împrumut | Da | 82.09 |
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| CS | Împrumut | 1 |
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